Even if it's just a keyboard part, he goes beyond just a chorus".
Mazur praised his older counterpart as having "the knack to come up with that undeniable hook. Wolf played guitar and keyboards, Mazur played drums and deejayed, and other musicians were brought in to fatten the sound.
Wolf's vision was to record live the type of funk and R&B that was commonly sampled by hip hop producers and then overlay scratching and other hip hop techniques to give it a new dimension. In 1989 Wolf teamed up with his former studio intern Brett "Epic" Mazur to form what major west coast artist manager Jerry Heller (of N.W.A and Eazy-E) would describe as "the hottest producing team of the early 1990s:" Wolf & Epic (initially named Peace Productions). While there, he worked on various film and television projects, and artists including Steve Cropper, Angela Bofill, Johnny Gill and Toni Basil covered his songs. Wolf then signed as a staff songwriter with Warner/Chappell Music. Wolf, a Manhattan native, signed his first record deal, with Quinn Ivy Studios in Muscle Shoals, Alabama, while still a freshman in college.
Rochard wolf manual#
The New Yorker refers to this book as "a manual for achieving calm in a tumultuous world". His book "In Tune: Music As The Bridge To Mindfuless" charts twelve "bridges"-skills and sensibilities refined in musical practice that carry over to mindfulness and meditation. Wolf is currently on the faculty of the University of Southern California's Thornton School of Music where he teaches classes on music in media and culture, and the special relationship between musical practice and mindfulness practice. His work has appeared in hundreds of television episodes and films including Big Bang Theory, Nashville, Oprah, Criminal Minds, America's Next Top Model, Bojack Horseman, CBS Sports, NASCAR, and twelve seasons of the worldwide hit, NCIS. cartoon Static Shock shook up Saturday morning programming with its fusion of hip-hop, electronic and traditional score, for which it was recognized with two Daytime Emmy nominations in 20 and one win. In the twenty-first century Wolf's focus turned back to producing and composing for visual media. Acid Jazz was another new fusion of musical styles which Wolf & Epic helped pioneer with their work on the first Acid Jazz compilation The Rebirth of the Cool Vol.1 ( Island Records). Bell Biv Devoe's début album Poison and remix album WBBD-Bootcity both featured Wolf's production, and were certified triple Platinum and Gold respectively. During this time, Wolf worked on projects for artists such as MC Lyte, Prince, Seal, New Kids on the Block, Nona Gaye, Coolio, New Edition, Sheena Easton, Laquan and Bell Biv Devoe. Wolf & Epic were among the first record makers to break down the barriers between R&B, Hip-hop & Pop at the beginning of the 1990s. In 1989 he teamed up with Brett "Epic" Mazur to form the production team Wolf & Epic. He wrote the theme song for the Rodney Dangerfield film, Back To School and began contribute to many large film projects, most notably producing for Southside Johnny & The Asbury Jukes for the number one box office Karate Kid II and penning a song for the Madonna vehicle, Who's That Girl. Soon after, he wrote and produced music for several feature films. Wolf got his start writing songs for his band and various artists before working for Warner/Chappell Music as staff songwriter. Richard "Wolfie" Wolf is an American Emmy Award-winning film and television composer, multi-platinum-selling music producer, songwriter, remixer, and author.
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